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Take the following paper that I will provide below and expand it to…
Take the following paper that I will provide below and expand it to 7pgs for a Final Paper. This paper should maintain the current topic: the impact and deliberate use of color to analyze Fincher’s “The Social Network” (2010), and how color and the movie is used to criticize how social media has effectively made us as a society antisocial.
After the paper I have provided an annotated bibliography that contains links to useful sources that support the narrative of the paper. If you use any other sources please cite them in the paper. Thank you.
The Paper:
Shades of Connectivity
Fincher’s Cinematic Palette and the Digital Evolution of Human Relationships
Fincher’s use of color in “The Social Network” symbolizes the shift from genuine human connections to the isolating impact of technology. Warm, golden tones in the early scenes reflect camaraderie and idealism during the creation of Facebook. The use of these warm hues aligns with the idea that, at the outset, the characters are driven by genuine passion and a shared vision. This palette becomes a visual representation of the genuine human connections and collaborative spirit that characterized the early stages of Facebook’s creation.
In contrast, cooler, sterile tones in present-day scenes highlight the impersonal nature of online interactions and the chilling effects of success. Furthermore, the unique application of color to each character deepens the visual storytelling. Mark Zuckerberg, consistently surrounded by cooler blues, reflects his analytical and emotionally detached nature. The warmth associated with Eduardo Saverin reinforces his genuine intentions. Meanwhile, the dynamic reds around Sean Parker capture his magnetic energy and the potential danger he poses to the group. By uniquely applying this color scheme to each character, Fincher crafts a visual commentary on the complexities of relationships in the digital age, making “The Social Network” not just a biographical drama but a nuanced exploration of the emotional toll of technological innovation on human connections. The use of color to deepen character development, the commentary of social media ironically making the world antisocial, and the history of color in film will be explored in this paper.
Some of the resources I have used to explore the themes of color further as it relates to the emotionless, detached reality of social media are as follows: Looniva Rajbhandari’s article “Social Media is Unsocial,” Jon Fusco and Jason Hellerman’s “The Psychology of Color in Film (with examples),” and Filmd’s “What is Colour Theory in Film.”
Annotated Bibliography
Filmd’s “What is Colour Theory in Film, How it Can Transform Your Storytelling”
This instructive article explores the vital role of color theory in cinematography, offering insights for filmmakers at all levels. It emphasizes the nuanced impact of color beyond mere aesthetics, covering basic principles, detailed palette analysis, and practical tips. Tracing the historical shift from black and white to color in film, the article delves into the psychological associations of individual colors. It highlights filmmakers’ use of various color schemes, providing examples from iconic films. The article concludes by emphasizing the enduring significance of color theory in eliciting emotions and enhancing storytelling, encouraging filmmakers to experiment and trust their intuition for a visually captivating cinematic experience.
Looniva Rajbhandari’s “Social Media is Unsocial”
This article claims that social media, initially designed for global connectivity, ironically fosters isolation. It underscores worries about excessive screen time during family gatherings, leading to a decline in face-to-face human interactions. The author contends that heightened social media use, particularly among teenagers, correlates with mental health issues. Furthermore, despite the global surge in social media users, the author suggests that virtual connections often substitute authentic in-person relationships, emphasizing the isolating effects of prolonged screen time, and concludes by advocating moderation and prioritization of genuine communication. The call is to recognize the impact of excessive social media use on personal relationships and address it through mindful engagement in real-world interactions.
Works Cited
Rajbhandari, Looniva. “Social Media is Unsocial.” myRepublica, 14 January 2020,
https://myrepublica.nagariknetwork.com/news/social-media-is-unsocial/
Unlisted. “What is Colour Theory in Film, How it Can Transform Your Storytelling.” Filmd, 7 March 2022,
https://www.filmd.co.uk/articles/what-is-colour-theory-in-film
Fusco, Jon and Hellerman, Jason. “The Psychology of Color in Film (with examples).” NoFilmSchool, 30 August 2023,
https://nofilmschool.com/color-psychology-in-film
